It recalls Haynes’ relationship to the legacy of AIDS, which informs nearly all of his films in some way, notably and Poison. For Haynes, the systems and institutions at play present themselves in multiple scales: as small as the pan in your dishwasher and as gigantic as an international company.
Through the tedium of paperwork and a case that lasts over a decade, Bilott pieces together a scandal about unregulated forever chemicals and Teflon and the illusion of safety-the American Dream-that’s been sold to us since the 1960s. But a farmer (Bill Camp) in Parkersburg, West Virginia whose stock has been mysteriously dying comes knocking to ask Robert to turn away from the big corporate institution that provides him such personal security (two cars, private school tuition for the kids) so that he can return to the part of his past he usually sweeps beneath the rug. With a city job in Ohio, he has a nice home and burgeoning family. In Dark Waters, we follow corporate defense lawyer Robert Bilott (Mark Ruffalo), whose primary job is, for all intents and purposes, to find legal loopholes and excuses to protect large chemical companies, such as potential client DuPont. It is also obvious from one of the first lines in the film (“Guys, I need Cox!”) that this project neither takes itself too seriously nor asks the same of its viewers. Like most films of its ilk, Walk Hard may go too over-the-top to prove itself, but there is something charming about it, underscored by its genuine love of music and affinity for musicians. Additionally, cameos from Jack White (Elvis Presley), Jack Black (Paul McCartney), Paul Rudd (John Lennon), Jason Schwartzman (Ringo Starr), Justin Long (George Harrison), Eddie Vedder, Jackson Browne and Lyle Lovett make the film even more ridiculous. Tim Meadows is hysterical with a stand out performance as Cox’s bandmate who can’t seem to stop doing or introducing Cox to increasingly heavy drugs. Kristen Wiig shines as Cox’s frustrated wife and the mother of their seemingly infinite amount of children as Cox’s other frustrated wife and duet partner, Jenna Fischer is superb. But Reilly isn’t the only star of the film. Aspiring to a level beyond greatness after he accidentally kills his brother by splitting him in half with a machete when they are young boys growing up in Alabama, Cox is compelled to compensate for the loss of his brother, leading to a life of excess and indulgence. Looking something like Johnny Cash crossed with Tom Waits, Cox has multiple addictions, wives and musical phases. Reilly, who plays rising and troubled music star Dewey Cox, skillfully presents a dopey-yet-conniving and shallow-but-sincere character with a heart of fool’s gold. Regardless of what category the film falls into, Walk Hard does not really tow the fine line of being clever so much as it provides a fun and absurd romp with heaps of laughs. Barry, Kristen Wiig, Tim Meadows, Margo MartindaleĪlthough Walk Hard: The Dewey Cox Story claims to be a spoof of biopics and their extreme depictions of artists-especially musicians-biopics’ exaggerations are a reflection of the frailties and eccentricities of the artists which they profile, so it’s hard to distinguish a satire about biopics from a satire about musicians. Here are the best free movies on Peacock right now: Whether it’s horror, drama, documentary, or westerns, Peacock has enough to keep you satisfied-and we’ll be updating this list every month to keep you apprised of the latest and greatest. November saw two films turnover from this list as Peacock seems to be settling on its library.
Tons of well-loved filmmakers are represented, from Werner Herzog and David Cronenberg to Spike Lee and Steven Spielberg.
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Hiding behind the paywall (or the week-long trial subscription, if you want to binge some movies) are collections including animated classics-like Chicken Run-and Alfred Hitchcock favorites- Rope, Psycho, Rear Window, Vertigo and more-but on the free side of things, the pickings certainly aren’t slim. The quality of films in its vast library are by and large quite good (that’s what happens when a studio starts its own streaming service), with the added bonus that it has a free, ad-supported tier-which is even better than the likes of Hulu, which still charges a monthly fee in addition to running commercials. Peacock might have an unassuming name compared to the beefy energy drink title that is HBO Max or the clear branding of Amazon, but the NBCUniversal streamer isn’t slouching with its offerings.
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